French Painter, ca.1885-1956 French painter, stage designer and illustrator. After studying porcelain painting at the Sevres factory (1901) and drawing in Paris under the French flower painter Madelaine Lemaire (1845-1928), in 1903-4 she studied at the Academie Humbert in Paris, where she met Georges Braque and Francis Picabia. In 1907 she first exhibited paintings at the Salon des Independants, met Picasso at Clovis Sagot gallery and through Picasso was introduced to the poet Guillaume Apollinaire. Laurencin and Apollinaire were soon on intimate terms, their relationship lasting until 1912.  Related Paintings of Marie Laurencin :. | Portrait of Femail | rida till | Portrait | Woman play | Asijici and dog |
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Johann Moritz Rugendas
Augsburg 1802-1858 Weilheim an der Teck,was a German painter, famous for his works depicting landscapes and ethnographic subjects in several countries in the Americas, in the first half of the 19th century. Rugendas was born to the seventh generation of a family of noted painters and engravers of Augsburg (he was a grandson of Georg Philipp Rugendas, 1666-1742, a celebrated painter of battles), and studied drawing and engraving with his father, Johann Lorenz Rugendas II (1775-1826). From 1815 to 1817 he studied with Albrecht Adam (1786-1862), and later in the Academy de Arts of Munich, with Lorenzo Quaglio II (1793-1869). Inspired by the artistic work of Thomas Ender (1793-1875) and the travel accounts in the tropics by Austrian naturalists Johann Baptist von Spix (1781-1826) and Carl von Martius (1794-1868), Rugendas arrived in Brazil in 1821, where he was soon hired as an illustrator for Baron von Langsdorff's scientific expedition to Minas Gerais and Sao Paulo. Langsdorff was the consul-general of the Russian Empire in Brazil and had a farm in the northern region of Rio de Janeiro, where Rugendas went to live with other members of the expedition. In this capacity, Rugendas visited the Serra da Mantiqueira and the historical towns of Barbacena, Sao Joao del Rei, Mariana, Ouro Preto, Caete, Sabara and Santa Luzia.
DOMENICO DI MICHELINO
Italian painter, Florentine school (b. 1417, Firenze, d. 1491, Firenze) Italian painter. He took his name from his teacher, a carver in bone and ivory named Michelino. He was elected to the Compagnia di S Luca in 1442 and joined the Arte dei Medici e degli Speziali on 26 October 1444. In 1459 he received payment from Lorenzo Pucci for a processional banner (untraced) for a confraternity based in S Francesco, Cortona. Four years later he was paid for some figures of saints (untraced) for a cupboard belonging to the Compagnia di S Maria della Purificazione e di S Zanobi,
Henri Harpignies
(June 28, 1819 - August 28, 1916) was a French landscape painter of the Barbizon school. He was born at Valenciennes. His parents intended for him to pursue a business career, but his determination to become an artist was so strong that it conquered all obstacles, and he was allowed at the age of twenty-seven to enter Jean Achard's atelier in Paris. From this painter he acquired a groundwork of sound constructive draughtsmanship, which is so marked a feature of his landscape painting. After two years under this exacting teacher he went to Italy, whence he returned in 1850. During the next few years he devoted himself to the painting of children in landscape setting, and fell in with Corot and the other Barbizon masters, whose principles and methods are to a certain extent reflected in his own personal art. To Corot he was united by a bond of warm friendship, and the two artists went together to Italy in 1860. On his return, he scored his first great success at the Salon, in 1861, with his Lisiere de bois sur les bords de l'Allier. After that year he was a regular exhibitor at the old Salon; in 1886 he received his first medal for Le Soir dans la campagne de Rome, which was acquired for the Luxembourg Gallery. Many of his best works were painted at Herisson in the central France region of Bourbonnais, as well as in the Nivernais and Auvergne regions.